# Porto music archive catalogue > A printed music catalogue combining equipment photographs, archival publications, performance images, dense essays, and a typographic index. Spacious object spreads contrast with oversized chapter headings and compact documentary layouts. - Kind: Slides - Live deck: https://www.behance.net/gallery/242492839/Musonautas-Visoes-e-Avarias - Page: https://meetreference.com/v/catalogue-porto-s-alternative-music/ - Ready-to-use agent handoff: https://meetreference.com/v/catalogue-porto-s-alternative-music/agent.txt - Authorship: Not stated - Made with: Not stated - Model: not stated - Built with: not stated - Style: Zines; archival, editorial, bold typography, print graphics, documentary, high contrast, asymmetric - Slides: 15 - Preview: a flip-through of inspected screenshots; open the live work to experience its motion and interactions. - Shared by The Royal Studio in Website, Jan 19, 2026: https://www.behance.net/gallery/242492839/Musonautas-Visoes-e-Avarias - Prompt fidelity: Unavailable in this entry. The recreation brief is written by Reference. ## Before you start Guidance from Reference, separate from the creator's instructions. 1. Read the reference and inspect the project, installed libraries, and available agent skills before writing code. Reuse suitable tools already present. 2. Prefer the creator-reported libraries and skills when they fit the task. Explain what useful additions help with, and install missing project dependencies or relevant skills from official sources when the environment and the user's existing permissions allow it. Respect the project's package manager and setup rules; do not ask again for routine setup already authorized. 3. Distinguish tools used by the creator from your own recommendations. A listed tool is not automatically required, and an empty tools or requirements list means the setup is unknown, not that nothing is needed. 4. Ask concise questions when missing inputs or choices materially affect the result: paid services, credentials, the user's assets, or a different production approach. Use existing answers and permissions; continue independent work while waiting. 5. If a useful library, skill, or service cannot be installed or used, explain an available alternative and its expected effect on quality, features, or effort. Get the user's choice before a material compromise; otherwise state the fallback and continue. Never silently simplify the result or claim to have used a tool you did not use. ## Recreating this deck This is a visual reference. No original creator prompt is available. The following brief was written by Reference after inspecting the work. Alternate spacious, gutter-crossing photographs of subject-specific objects with dense documentary spreads to create strong changes in reading pace. Pair oversized uppercase headings with narrow text columns, tiny captions, and vertical outer-margin navigation. Use color-control strips and registration marks as a recurring frame on selected image spreads; for a new subject, replace the music equipment, publications, names, and chapter dates with relevant archival material while preserving the scale contrasts. 1. Open the live work or source and inspect the frame images below. 2. Adapt its layout, hierarchy, palette, and interaction patterns to the user's own content and brand. 3. Compare the result against the reference. Use your own assets and credit the original creator. ## What it looks like Written by Reference from the captured walkthrough frames, not by the creator. Archival, editorial catalogue design combining music equipment, printed ephemera, photographs, and informational pages. - Color: Mostly off-white, charcoal, and muted gray, with occasional teal, coral, and vivid blue accents. - Type: A mix of large, bold sans-serif Portuguese headings, small dense body text, and compact labels and tables. - Framing: Open-book spreads use generous margins and restrained layouts for isolated object images, contrasted with tightly packed text columns, tables, and modular image-and-text arrangements. - Structure: A sequence of catalogue spreads moves between equipment and ephemera illustrations, dense historical or reference material, dark tabular pages, and poster-like graphic compositions. Storyboard of the slides: https://meetreference.com/media/catalogue-porto-s-alternative-music/storyboard.webp - Slide 1: https://meetreference.com/media/catalogue-porto-s-alternative-music/f1.webp - Slide 3: https://meetreference.com/media/catalogue-porto-s-alternative-music/f2.webp - Slide 5: https://meetreference.com/media/catalogue-porto-s-alternative-music/f3.webp - Slide 6: https://meetreference.com/media/catalogue-porto-s-alternative-music/f4.webp - Slide 8: https://meetreference.com/media/catalogue-porto-s-alternative-music/f5.webp - Slide 10: https://meetreference.com/media/catalogue-porto-s-alternative-music/f6.webp - Slide 12: https://meetreference.com/media/catalogue-porto-s-alternative-music/f7.webp - Slide 13: https://meetreference.com/media/catalogue-porto-s-alternative-music/f8.webp - Slide 15: https://meetreference.com/media/catalogue-porto-s-alternative-music/f9.webp ## Links - View deck: https://www.behance.net/gallery/242492839/Musonautas-Visoes-e-Avarias - Original post: https://www.behance.net/gallery/242492839/Musonautas-Visoes-e-Avarias