# In pieces exhibition entrance

> A dark exhibition introduction pairs short centered statements with scattered triangular fragments and a faceted aquatic animal silhouette, ending in a large crimson geometric wordmark and an outlined exploration button.

- Kind: Website
- Live website: http://species-in-pieces.com
- Page: https://meetreference.com/v/ref-in-pieces-9520/
- Ready-to-use agent handoff: https://meetreference.com/v/ref-in-pieces-9520/agent.txt
- Authorship: Not stated
- Made with: Not stated
- Model: not stated
- Built with: not stated
- Style: Microsites; polygonal, dark, geometric lettering, minimal, high contrast, exhibition, fragmented
- Preview: a flip-through of inspected screenshots; open the live work to experience its motion and interactions.
- Shared by BryBry in Website: https://www.awwwards.com/sites/in-pieces
- Prompt fidelity: Unavailable in this entry. The recreation brief is written by Reference.

## Before you start

Guidance from Reference, separate from the creator's instructions.

1. Read the reference and inspect the project, installed libraries, and available agent skills before writing code. Reuse suitable tools already present.
2. Prefer the creator-reported libraries and skills when they fit the task. Explain what useful additions help with, and install missing project dependencies or relevant skills from official sources when the environment and the user's existing permissions allow it. Respect the project's package manager and setup rules; do not ask again for routine setup already authorized.
3. Distinguish tools used by the creator from your own recommendations. A listed tool is not automatically required, and an empty tools or requirements list means the setup is unknown, not that nothing is needed.
4. Ask concise questions when missing inputs or choices materially affect the result: paid services, credentials, the user's assets, or a different production approach. Use existing answers and permissions; continue independent work while waiting.
5. If a useful library, skill, or service cannot be installed or used, explain an available alternative and its expected effect on quality, features, or effort. Get the user's choice before a material compromise; otherwise state the fallback and continue. Never silently simplify the result or claim to have used a tool you did not use.

## Recreating this website

This is a visual reference. No original creator prompt is available. The following brief was written by Reference after inspecting the work.

Build a recognizable subject and oversized title from a shared vocabulary of sharp triangular facets, using several adjacent shades to suggest folded surfaces. Reserve the strongest color for the final focal graphic and primary action, keeping supporting typography compact within generous negative space. For a new subject, redraw both the silhouette and letterforms around its own visual identity, and increase contrast on introductory imagery and secondary copy.

1. Open the live work or source and inspect the frame images below.
2. Adapt its layout, hierarchy, palette, and interaction patterns to the user's own content and brand.
3. Compare the result against the reference. Use your own assets and credit the original creator.

## What it looks like

Written by Reference from the captured walkthrough frames, not by the creator.

Minimal, dark landing page for “In Pieces,” featuring a bold fragmented geometric wordmark and concise exhibition messaging.

- Color: Near-black charcoal background with vivid magenta and red-pink shapes, white text, and subtle dark-gray accents.
- Type: Small, condensed uppercase sans-serif text; the main “IN PIECES” lettering is oversized, angular, and assembled from separated geometric fragments.
- Framing: Centered content with generous negative space. The opening frames use small centered text and faint abstract forms; later frames prominently center the colorful wordmark, tagline, and outlined call-to-action button.
- Structure: A sparse introductory area gives way to a central hero section: logo, short descriptive copy, and an “Explore the exhibition” button.

Storyboard, nine frames spread across the captured walkthrough: https://meetreference.com/media/ref-in-pieces-9520/storyboard.webp

- Frame 1 at 1.0s: https://meetreference.com/media/ref-in-pieces-9520/f1.webp
- Frame 2 at 2.9s: https://meetreference.com/media/ref-in-pieces-9520/f2.webp
- Frame 3 at 4.9s: https://meetreference.com/media/ref-in-pieces-9520/f3.webp
- Frame 4 at 6.8s: https://meetreference.com/media/ref-in-pieces-9520/f4.webp
- Frame 5 at 8.7s: https://meetreference.com/media/ref-in-pieces-9520/f5.webp
- Frame 6 at 10.7s: https://meetreference.com/media/ref-in-pieces-9520/f6.webp
- Frame 7 at 12.6s: https://meetreference.com/media/ref-in-pieces-9520/f7.webp
- Frame 8 at 14.6s: https://meetreference.com/media/ref-in-pieces-9520/f8.webp
- Frame 9 at 16.5s: https://meetreference.com/media/ref-in-pieces-9520/f9.webp

## Links

- Visit site: http://species-in-pieces.com
- Original post: https://www.awwwards.com/sites/in-pieces
- Source and design credit: https://www.awwwards.com/sites/in-pieces